Galleys, 1970 - 1979
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Item Angela Davis Trial(1972-05-03) Kleiner, Gerald; Slessarev, Helen; Cartelli, Tom"The case is not only important because it points out the tainted nature of American political process, but also because Angela Davis embodies the basic struggles of our period - she is black and she is a woman. Her defense is in great need of aid and is currently $200,000 in debt. The Defense Committee to Free Angela Davis and All Political Prisoners has been supplying the funds for this trial which may prove to be the most expensive in judicial history. Contribute to fight repression!"Item "Announcement of the Exhibition "September to December in Black Music"(1974-12-02)"In conjunction with this Exhibition, there will be a series of informal evening concerts on Thursday, December 5 and Friday, December 6 in the Carriage Barn at 10:15 p.m."Item Ben Belitt responds to the Futures Committee.(Bennington College, 1975) Belitt, Ben, 1911-2003"As one of the signers of a bill of objections called "scurrilous" by Claude Fredericks, I too had hoped we might turn our attention to the prospectus for the Future of Bennington College without unnecessary distraction but that is precisely what I believe the statement permits us to do." Ben Belitt, a professor of literature, began teaching at Bennington College in 1941. This Galley pertains to the controversial "Futures Committee Report" during President Gail Thain Parker's tenure.Item Black Music Division Lack of Space(1976-09) Brooks, Art; Horenstein, Stephen; Ash, Jay; Dixon, Bill; Hoyer, Jeff; Milford, Graves"Due to the inadequacy of the space situation as it currently exists at the college for the practical implementation of teaching and the work of students in the Division (and we need not mention that occasional performances arise out of such situations), all classes in the Black Music Division will be indefinitely cancelled."Item Black Music Division Lack of Space(1976-10-06) Ash, Jay; Graves, Milford; Hoyer, Jeff; Brooks, Arthur"We have been aware, on a personal and divisional level, of the closet cultural racist ideologies displayed by various individuals within the other divisions at this college for some time now, and, the continued existence of this chauvinism is indeed one of the major reasons for the "separate but equal" status within the discipline of music at this institution. Furthermore, it was our understanding (based upon conversations with the deans earlier this year), that until such time as Bennington College sees fit to change it's policy regarding the existence of a Black Music Division, this type of slanderous, reactionary, political activity would no longer be tolerated."Item Black Music Division Presents a Lecture by Larry Neal(1975-10-16)"Mr. Neal is currently teaching at Williams College in the English Department. He is the Co-Editor of the publication Black Fire. His lecture will be on the relationships between Black Literature and Black Music."Item The Black Music Division Will Present Two Evenings of Music(1975-06-05)"Friday evening'sConcert will feature Jimmy Lyons and the Advanced Black Music Ensemble at 8 :15 p.m. in the Carriage Barn. Saturday, there will be a concert of works by Bill Dixon and Jeff Hoyer, and various soloists starting at 8:00 p.m. in the Carriage Barn."Item Black Music Division Workshop Jimmy Lyons on Improvisation(1974-11) Dixon, BillItem Black Music Division- Final Concert(1974-12-17)Item Black Music Events Cancelled(1975-05-29)Item Black Music Workshop(1974-11-15) Feiner, SusanItem Black Music Workshop(1974-12-06) Smart, SydItem Black Music Workshop on Aspects of Contemporary Improvisational Practices(1975-05-02)"The guest artist for this workshop, will be Ted Daniel, Musician-Composer- Trumpet Player. Mr. Daniel will bring some "big band" arrangements with him and would like the musicians to get involved in the actual playing of these arrangements."Item Black Music Workshop on Aspects of Contemporary Improvisational Practices(1975-04-25)"The guest artist will be Frederick D. Waits (Freddie Waits) whose musical career on drums began in Jackson State College's Band and around Motown with Ivory Joe Hunter and Percy Mayfield . From Mississippi to Detroit's Motown Recording Studios, he has accompanied Stevie Wonder and many other vocalists."Item Black Music Workshop on The Solo(1974-10)"This Monday, October 14 at 4:30 p.m. in the Carriage Barn, there will be a Black Music Workshop with members of Ensemble III. The Topic: "The Solo"."Item Black Music Workshops Aspects of Contemporary Improvisational Practices(1975-03-21)"Mr. Jimmy Stewart, musician, poet, playwright and essayist, who lives in Philadelphia, will be the guest artist for this Workshop. Mr. Stewart will present a talk on musical partials, the use of these partials in the "energy" improvisation associated with the new Black music, along with a theory of the use of partials as a distinguishable feature of our musics in relationship to the equal tempered system."Item Black Studies(1970-03-24) Pitts, George Edward"At Bennington College the sense of immediacy which must pervade the establishment of a program of Black Studies diminishes in essentially a school of white students. That the school urges the student to pursue what he must is not being questioned in this statement. The immediate issue becomes one of Black students rather than of Black Studies. An increased number of Black students demands a sensitivity to his cultural needs as a Black person . Hence Black Studies. These needs after all were created by Black people."Item Clayton Riley Hadley Fellow in Black Music Talk(1974-05)"Clayton Riley - Writer Critic - Hadley Fellow in Black Music will speak Wednesday, May 1st"