Series of Correspondence Between Nathalie Swan and Robert Leigh Regarding Josef Albers

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dc.contributor.authorSwan, Nathalie
dc.contributor.authorLeigh, Robert
dc.date.accessioned2018-06-22T12:14:18Z
dc.date.available2018-06-22T12:14:18Z
dc.date.issued1934-01
dc.description.abstract"Park was serious about the Bauhaus approach and tried to enlist one of the Bauhaus founders, Josef Albers. Herta Moselsio recalled writing the letter that was meant to interest Albers in Bennington but by that time he had already accepted an appointment to Black Mountain College. Nevertheless teaching in the Bauhaus mode began at Bennington in February, 1935, with the arrival of Lila Ulrich who had studied with Albers, Mies van der Rohe and Kandinsky, and by the end of the Leigh era Park was convinced that art teaching at Bennington accepted the Bauhaus dictum that form in the modern world emerges from 'material and function rather than from a borrowed historical source'." Bennington in the Beginning by Thomas Brockwayen_US
dc.identifier.urihttp://hdl.handle.net/11209/12174
dc.language.isoen_USen_US
dc.publisherBennington Collegeen_US
dc.subjectSwan, Nathalieen_US
dc.subjectAlbers, Josefen_US
dc.subjectBlack Mountain Schoolen_US
dc.subjectPaintingen_US
dc.subjectBauhausen_US
dc.subjectJohnson, Philipen_US
dc.subjectMuseum of Modern Arten_US
dc.subjectNagi, Maholyen_US
dc.subjectRollinsen_US
dc.subjectBlagden, Mrs.en_US
dc.subjectArten_US
dc.subjectSwan, Mrs. Joseph R.en_US
dc.titleSeries of Correspondence Between Nathalie Swan and Robert Leigh Regarding Josef Albersen_US

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