Drama - Correspondence, Minutes, Records, and Miscellaneous
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Item Drama Faculty Member Sherry Kramer’s Writing for Stage and Screen Published(2023-09-25) Office of CommunicationsItem Bennington College Theater Achieves #3 Ranking from Princeton Review 2024(2023-08-29) Office of CommunicationsItem Item Drama and Dance Calendar, March - June 1983(1983)Drama: The Glass Menagerie, 4-H Club, Canadian Gothic, The Collection, Playing with Fire, 'dentity Crisis, As You Like It, Liverpool, Table Manners, and Hot L. Baltimor. Dance: Guest artist Kenneth King.Item Drama Projects Fall 1983(1983)Projects: American Dream by Edward Albee, Line by Israel Horowitz, Vampires Only by Michael Haddad, Sexual Perversity in Chicago by David Mamet, Dogg's Hamlit by Tom Stoppard, Charlie the Chicken by Jonathan Levy, Three One-Acts by Tennessee Williams, and Five Biscuit Casserole by Amy Hart.Item Drama Division Production Schedule Fall 1983(1983)Projects: Dogg's Hamlit by Tom Stoppard, Charlie the Chicken by Jonathan Levy, Three One-Acts by Tennessee Williams, American Dream by Edward Albee, Line by Israel Horowitz, Vampires Only by Michael Haddad, and Sexual Perversity in Chicago by David Mamet.Item Item Notes to the Company(1982-09-17) Logan, LeroyNote to the Six Characters in Search of an Author company about the rehearsal schedule and other expectations. Also includes a cast list.Item Invitation to Such Disinherited Children(1976-05) MacKenzie, ShawnItem Electra Script(Bennington College, 1937) Fergusson, FrancisScript with notes from the performance of Electra.Item Notes on Problems of Staging Sophocles' Electra(Bennington College, 1937)Notes on staging Electra including interpretation, motifs, patterns of movement, style, form, and sound.Item Local theater - with sparks flying(Bennington Banner, 1990-11-23) Ratliff, Marcus"Last weekend, four sell-out performances of "Frog," a new play by a Bennington College senior, created a visible ripple through the very idea of local theater. The ripples began when the lights came up and the first line, a volley of curses, was thrown like a heavy rock into a pond. From there they multiplied and radiated out into theater's horizon. Director and playwright Pete Dinklage, who is also an actor, managed to hold the reins on his ornate imagination to create a well structured, smoothly built and almost flawlessly executed piece...."